Knowing
Otherwise

Table of Contents

• Pre.The Commission
• 01African Agency Leads
• 02What TOK 2022 Actually Says, and What It Defaults To
• 03Reading the IB's Own Receipts
• 04Kurukan Fuga as Governance Epistemology
• 05African Women as Architects
• 06Ubuntu, Badenya, Role-Ethics
• 07The Jeli as Knowledge System
• 08Sinology and the Ars Contextualis
• 09Two Walls
• 10The Americas Lead
• 11LGBTQIAA+ Affirming Epistemology
• 12The Disabled and Neurodivergent Knower
• 13Data as Scale of Mandate
• 14Citation as Method
• 15How TOK Could Run
• 16Holding the IB to Its Own Receipts
• CodaReception, Refusal, Repair

Table of Contents

• 01African Agency Leads
• 02What TOK 2022 Actually Says
• 03Reading the IB's Own Receipts
• 04Kurukan Fuga as Governance Epistemology
• 05African Women as Architects
• 06Ubuntu, Badenya, Role-Ethics
• 07The Jeli as Knowledge System
• 08Sinology and the Ars Contextualis
• 09Two Walls
• 10The Americas Lead
• 11LGBTQIAA+ Affirming Epistemology
• 12The Disabled and Neurodivergent Knower
• 13Data as Scale of Mandate
• 14Citation as Method
• 15How TOK Could Run
• 16Holding the IB to Its Own Receipts

Table of Contents

• 01The Anti-Conquest Tradition on Celluloid
• 02African Cinema as Epistemological Production
• 03The Diaspora Screen
• 04Return, Refusal, and the Stolen Epic
• 05Mainland Chinese Cinema: 知行合一
• 06Hong Kong Cinema: Knowledge Under the Handover
• 07South Asian and Diaspora Cinema
• 08Pacific and Indigenous Cinema
• 09Latin American & Global South Cinema
• 10Sport as Epistemology
• 11Gender, Sexuality & the Knowledge the Screen Refused
• 12The Library That Did Not Burn